Quartz Studio è lieto di presentare Worms, la prima personale italiana dell’artista inglese Alice Channer (Oxford, GB, 1977) con un testo critico di Eva Brioschi.
Alice Channer, Soft Sediment Deformation (Granite Bodies), 2020 Opal Pleated Ink Jet Prints on and in Heavy Crepe De Chine, 400 x 180 x 50 cm (detail), courtesy of the artist and Quartz Studio, photo Beppe Giardino
11 December 2021
15:00 – 19:00

Do ye not comprehend that we are worms, born to bring forth the angelic butterfly that flieth unto judgment without screen? (Dante Alighieri, Purgatory, Canto X)

Dante used worms as a metaphor for metamorphosis to speak of the uncertainty and transience of earthly human life, while what interests Alice Channer in the worms for which her exhibition is titled is these primordial creatures' biological configuration and functions. They represent a process of a biosystem that always building, modifying, shaping, processing, just as the artist does in the studio and humans do in our environment. Individual units in a complex system, in which each element is linked and interdependent.
Channer calls into question the concept of authorship as well as those of unity and determination. Who makes what? Everything is in a constant, continuous transformation, voluntary and involuntary, predetermined and accidental. Every object, every form is the product of a work in which organic and industrial processes, genetic mutations and temporal and spatial stratifications participate. The surface of the objects made from crafted fabrics, from fossils brought back to life is — literally — scabrous, bearing marks of ruptures, scratches, concretions, sediments, folds, and marks, just like human skin.
Alice Channer calls it 21st-century process art, as the process of creating the works is a substantial part of her practice. For this and her use of materials, she has a special connection with the Italian Arte Povera movement, which is evident in a particular alchemical style open to the contribution of chance along with the physical forces that inhabit matter. From primordial rock to digital prints by way of industrial fabrics and animal fossils, her creative universe expands from the chthonic realm to the hyperuranion one.
During the exhibition's planning phase, she wrote in an email to Francesca Referza, Quartz Studio's director: “After Brexit, it's more important than ever for me to get 'my' work out of this island and make it part of an international dialogue. ”Despite recent political choices — divisionist, separatist, neo-identity, neo-racial, protectionist, sovereignist — "no man is an island entire of itself"; this is a fact, one of our few certainties. We have realized how much every single living being is part of an always precarious balance that makes us all interdependent.

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