William Aparicio appropriates the photographic scanner, resignifying reality in detail, a practice defined by Joan Fontcuberta as post-photography.
His works are characterized by a profound attempt to plumb tangibility in its most minute nuances, a practice linked to reflections on the digital image in the contemporary world. In Data Bodies, William merges two parts of his identity: the photographer and the artist, who examines the human body like a radiologist, but from a different perspective. The theatricality of the models' poses generates inadvertent micro-performances that border on the absurd, and the dystopian parody of technology materializes in tangible form.