In the artist's studio, works and publications from the late 1970s are visible and audible: compositions for traditional musical instruments, (scores where in the graphic signs and spatial position of the notes on the staff the visual aspect is privileged), documentations of performances, along with paintings, digital and interactive graphic and sound works, intended indifferently for the eye and the ear, which are often the result (given his dual training in music and visual studies) of the conversion into images (and vice versa) of a precise musical thought, encoded in a particular musical writing.