On display are small sculptures created in various periods, especially in the current year, works that have a common denominator in risk and freedom of both form and content. Gambling understood as forcing towards the unexpected and in antithesis to the logical developments of a narrative. And it is therefore also the unexpected, the jarring, the disturbing. That the gamble manages to appear natural could also be possible and this is the challenge that was intentionally underlying all the works.
For the first time, in addition to the now usual aerial, two-dimensional and linear forms, there are now also monolithic forms hollowed out and inlaid on all the external surfaces, almost timeless architectures belonging to alien worlds devoid of air and light.
In a first section of the exhibition, recent works, the thin and stripped volumes of the metallic elements are paired with these monoliths. Symbol and emblem of a thin and uncertain, almost lifeless future, they are placed side by side and stuck in this sort of massive and impenetrable refuge-bunker. The common dichotomy of materials, wood and iron, where the soft wood constitutes the mass and the heavy iron the impalpability, appears almost a figure that is repeated in the reversal of all logic. Incompatible forms forced into a perpetual symbiosis due to their mutual incompleteness.
In a second section the dichotomy of materials is between wood and wood. Here an industrial wood takes the form of protesting or exulting female figures - the image is the same - while the solid cypress or larch wood acts as a basic bunker, a prison place from which finally, in this case the female gender, manages to free himself. And here the content is not very cryptic and very explicit.
In the third section there is a series of small single-material sculptures experiment above all with the straining of the forms and finally, in a last section. the loop projection of images of works starting from the seventies.